Monday, 9 December 2013

More haste less waste

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As we all know it was a bit of a journey to get to this point *cue emotional mood music*. A journey that involved, apart from the well documented tears and tantrums, multiple rewrites.
Multiple.
Which as processes go is a little wasteful. Sure, I'm not fined per word, per scene, per character, per chapter unused but there are at least two books worth of spare words culled from Minty alone. And when you are as time challenged as I am it seems silly to write 150,000 words when only 50,000 are required.
So *rolls up sleeves* I needed to figure out a process that is a little more user friendly.
And Book 3 seemed like a good place to start.
First step was writing out a full proposal including my H & h's backgrounds, deceptively easy as as this story was my Minty alternate back in 2011 so I have had just a little bit of time to figure out things like conflict and motivation.
Second step was fast drafting the first 30,000 words (it was supposed to be the whole 50,000 but I ran out of time. I suspect running out of time will be a key part of this process).
And then I had to send the first three chapters to my editor *refreshes email again*.
This part is new. Not since the terrible historicals have I submitted three chapters of an unfinished manuscript, submitted chapters just one edit away from a first draft. It's a scary thing to do, they still feel pretty raw to me. I am imagining poor editor, head in hands, weeping gently over her keyboard wondering why she ever gave me a second contract.
But *shakes self* by getting her input so early on I can make sure my second draft is as tight as can be and on the right lines which may mean less revisions later on.
Well that's the hope anyway!

Monday, 25 November 2013

Once upon a time...

Once upon a time there was a daydreaming bookworm who wanted to be a writer more than anything else in the world.
Only she was too afraid to try. What if she got it wrong?
Sitting down with a pad and pencil or a typewriter or at a computer felt too pretentious.Like a little girl playing dress up. Much easier to make up stories, alternative endings, fantasies in her head and not try.
Because if you don't try then you can't fail. And it's all still a possibility.
But then, one day, she got fed up with being scared and she sat down at a computer and typed those all important words. 'Chapter One'.
Those words weren't bad but sadly the words that followed were. They really were.
So she wrote some more. Then more and more and more.
And slowly they got better. They began to turn into a real story. With a plot and character and even, a few more words later, conflict.
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It all took a long time. There were some tears, a little despair, two courses, craft books and a conference. And some amazing, supportive friends.
But then her dreams came true. Someone wanted to publish her book and she lived happily ever after!

Actually that is mostly true. But guess what? It's just the prologue. All that work, all those many, many discarded words, those books and chapters that will languish forever in the Well of Lost Plots (copyright the great Jasper Fforde), the hysteria, tantrums and rare moment of euphoria? That just gets you to the beginning of Chapter One.

Being a writer isn't about writing one book and getting it to publication point. It's about writing another and another and another. It's about constantly improving, meeting deadlines, staying creative. That's chapter two and three and four and five.

I have a second contract now with deadlines and no finished books to conveniently slot into those spaces. I have had to start a new book knowing that this time I don't have limitless time and the big comfort blanket of the New Writer's Scheme. This is Chapter One. It's all very exciting. And scary as hell.

But I wouldn't have it any other way...


Wednesday, 13 November 2013

Not my Lego friend

Today my daughter's long awaited copy of the Lego magazine arrived.
The only problem was the five doe eyed smiley girls on the cover. The Lego marketing team had flagged my daughter's gender and assumed she wanted the Lego friends version. Focus? School, pets, friends, baking. The pictures and text are bigger than those in the 'traditional' Lego stories, the themes blander.

When I was a kid all children wore orange and brown corduroy no matter what their gender and Lego came in standard red, blue and yellow. Black and white were novelties, I may have seen the odd bit of green. Then at some point they began to make kits and the genderisation of Lego began.

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I bought her Lego long before her first birthday, first duplo then the stuff I remembered though the variety was bewildering; Harry Potter, City, Star Wars, Knights. So I went for a box of plain bricks and waited for her to create. And waited and waited...

Barbies, Sylvanians, Playmobile, Moxie Dolls. All preferable to the small bricks. So, Lego I get it. You see the lucrative female under ten market playing with these things and you want a share. I can just imagine the Board Meeting now. No matter that you live in one of the most gender progressive societies in the World, home of Birgitte Nyborg and Sara Lund. 'The little girls want pink and ponies. We must give them pink and ponies!'

Thus Lego Friends was born.

I don't mind the pink to be honest and I am pretty partial to purple. I don't even mind the beauty parlours and the dog grooming. I just mind how limiting this all is. I mind the larger pieces, the less taxing builds, the narrow focus on some kind of Clueless life. They could have been cleverer, less obvious and for opted for a more diverse Lego City - a city with more female characters, more animals, a focus on more than rescue services and vehicles by adding a whole High Street of shops that includes the beauty parlour but with the police station next door. A City for boys and girls no matter what their tastes. Cause right now girls are being told that the vast majority of Lego kits are not for them. And boys are steered away from anything domestic. It's unfair on both.

In the end all she needed was time. Eighteen months ago she discovered that small box. Now she's hooked asking for gothic castles and airships for Christmas, saving her birthday money. She couldn't wait to be part of the Lego Club. It's a shame the Club excludes her because of her gender.





Friday, 8 November 2013

Minty's Progress

Final edits have been accepted and Minty will finally be published in June next year, title tbc *sets off quiet fireworks so as not to upset the dog*.

Regular readers of this blog (lucky, lucky folk) are more than aware what a titanic struggle this book has been. My fingers are very firmly crossed that this was second book syndrome done and dusted and book three will be a breeze to write, even if only in comparison!

There were times over the last two years when I wondered what on earth I was doing - there's a fine line between obstinacy and perseverance and I really wasn't sure which side I was on. Many, many times I nearly put Minty aside to start on something new, sure I was fooling myself and that there really wasn't a book worth writing in this idea. But I couldn't. I loved my heroine and I loved my hero and I adored the setting. Everything else might - and did - change but they remained constant.

So here's a recap of how the book evolved from rewrite to rewrite. If you're currently struggling with a WIP that just won't work I hope this shows you there is light at the end of the tunnel, just sometimes the tunnel is a very, very long one!

Aug 2011 - First chapt competition - I wrote four alternative first chapters each centred around a socialite who embarks on a fake engagement with her gay Italian flatmate only to fall for his disapproving cousin, Luca. It didn't final.

Dec 2011 - I read India Grey's brilliant Craving the Forbidden about a girl's fake relationship with her gay best friend. I know there are many common tropes and themes in romance but this was far too good to follow. Back to the drawing board.

Jan 12 - Rewrote from scratch, still with a fake relationship theme, but this time with Luca, engineered by his cousin/Minty's flatmate.

Apr 12 - Sat down to edit. Rewrote from scratch removing one secondary character.

May 12 - Sent off to the New Writer's Scheme and also entered the first chapter in a Romance Fast Track comp.

June 12 - Didn't hear back from the Fast Track. Received an EIGHT PAGE letter from the NWS reader. Took to my bed, wallowed, cried, sulked. Got out of bed and rewrote killing off another secondary character and changing the theme.

July 12 - Entered new first chapter for a one to one at the RNA Conference. The editor quite liked it but suggested it would be better without the last secondary character. The gay best friend had to go. Rewrote again - the whole book

Sept 12 - Entered the latest new chapter in SYTYCW. Didn't place. Fell into pit of despair.

Oct 12 - Got an email from M&B asking if I was planning to submit a full mss for the Fast Track event. My email had got lost, they wanted to see it! Edited hard.

Dec 12 - Submitted.

Waited. Waited some more. Chased. Waited. (edited and submitted another book).

Aug 13 THEY WANT IT

Oct 13 Edits

Nov 13 Final acceptance.

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For all our sakes (and especially my soon to be long-suffering editor's) I hope that this steep, steep learning curve full of rewrites, tears, tantrums and endless first chapters is a one off. Thank you for sticking with me through it and for all your lovely comments about Minty. I can't believe she and Luca will get their HEA at long, long last. x









Friday, 18 October 2013

Raging against the dying of the light.

I got woken up by the phone very early this morning. My Grandfather has finally gone gently into that good night. Rejoined the wife he missed so bitterly, until the day he forgot who he was.

I tried to go back to sleep but it eluded me and I lay, wide eyed, staring at the gray morning light until the radio alarm started blaring out the day's news. I don't know why I start the day with Radio 4 Today. It usually ensures I am bad tempered and/or despairing before I have cleaned my teeth. This morning was no exception.

In some hideous coincidence the day my grandfather died in the home we, his family, had put him in, a decision made heavily, with grief, over a long period of time, this was the day Jeremy Hunt decided to lecture society about how we care for our elderly.

Too many elderly he says, are isolated and alone. It's the fault of the selfish children and grandchildren who abandon them to indifferent care. We should emulate other cultures and bring them into our homes and care for them with love and respect.


There are so many things I want to say in response to this that there is no blog long enough. I will just mention the complete care crisis that contributes to this loneliness, a crisis caused by chronic underfunding and the privatisation of services. I will mention the huge pressure on families often separated geographically because we must go where the jobs are,  on the women, and they are mostly women, working, caring for children and grandchildren and responsible for elderly parents. My mother has spent the last eight years shouldering the burden of her parents' care almost totally  alone, whilst working and helping me with holiday child care. She is exhausted.I will shake my head in complete shock at his exhortation that we emulate other cultures without considering what that actually means- often unmarried daughters and overworked daughters in law to provide the care. And actually, Mr Hunt, most cultures are finding that globalisation means that they are having exactly the same problems we are.
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There are many ways to solve this crisis. Unfortunately for Mr Hunt it means paying carers living wages, an end to zero hours contracts, and putting money back into the community. It means supporting families as they make these difficult decisions, not berating them as they do so. I wanted my grandfather to die peacefully in his own bed after a hale, hearty life, not curled up in a hospital bed in a nursing home. Could I, or my mother, or my sister have provided that care at home? Even if I didn't need to work it would have been impossible. He needed professional care.
I wrote the following on this blog two years ago. This was my grandfather:

Today I went to visit my grandfather, Papa. He lives in a home and has dementia and it breaks my heart.

When I was a child he seemed preternaturally strong despite his short stature; if I linked my hands around his forearms he could flex his arms and lift me right off the ground. He could lift two grandchildren at once. His appetite was legendary, plates piled sky-high to be masticated slowly and thoroughly before equally massive second helpings. And then pudding.

 As I grew older I realised we approached things from a very different direction. He was a small town business man with conservative views (big and small c) who enjoyed country sports and belonged to all those men-only clubs that small town business men belong to. I have only rarely seen him without a tie and tweed jacket. I was (am) a grungy, vegetarian, left wing feminist. But he was my Papa and I loved visiting him, especially at his summer home in Nefyn, on the Lleyn Peninsula, where we would eat macaroons, go for long mountain walks and play scrabble long into the evening. And he would talk.

My Papa was a born storyteller. He always told us that he married Nana because she dug a pit in the woods and wouldn't let him out until he agreed to marry her; as a gullible six year old I reported this story as fact in a school report. During those long nights in Nefyn, or at the family home in Lincolnshire, he would tell me ghost stories. All true, he insisted, he may have been a keen walker and naturalist but he had a real belief in the spiritual world. Thirty years younger and I am sure he'd have been on Most Haunted. Or he'd tell me about his youth, cycling from Lincolnshire to Nefyn, sleeping in haystacks on the way, his post-war days in Germany working in the army stores where he met a beautiful, auburn haired German girl (my Nana) who he promptly married and brought home to Wandsworth. Tales of a boyhood roaming the Lincolnshire countryside. He brought the past alive.

His real flair though was for storytelling. His bedtime stories were fantastic. My family moved to Kent when I was 13, my sister 12. It was the first time I hadn't lived in the same town as my grandparents and I missed them horribly so when they came to stay it was really special. And Papa told us bed time stories even when I was 16 and my sister 15, we wouldn't let him stop. Quite unashamed and unabashed we demanded the next instalment of his Romney Marsh saga that starred us, our cottage and our cats, stories that combined adventure, magic and heroism like all the best children's' stories do. I still love childrens' and YA literature, done well story telling at its best.

He never wrote them down. He wrote poems - rhyming, scanning doggerel, he painted pretty landscapes, he  answered every circular or invite with a letter like the gentleman he was, but he never wrote down his stories. And that's a shame and a real loss. Now he never will, dementia is a horrible, horrible thing.

Monday, 14 October 2013

Inbox stalking? Must be competition season

Autumn, in the category romance world, is competition time and over 600 hopeful and very brave writers are right now constantly refreshing their email hoping to receive the email telling them they have one of the coveted fifty finalists spots in Harlequin/Mills & Boon's SYTCW competition.
I know exactly how they feel. 
In 2010 I enthusiastically and rather naively entered the first New Voices competition with my third attempt at a historical romance. I had done my research, had a hook, a conflict, a really long first scene full of description and no dialogue. I was honestly crushed when I didn't final. Crushed.
And then I picked myself up. I found Crit Partners, read craft books, went on a course, joined a professional organisation and, crucially, finished two manuscripts. I was ready for New Voices 11.
But the long hoped for email didn't arrive no matter how much I checked my phone.
And I checked a lot.
That stung. But eventually,  after a little wound licking,  I picked myself up, turned the chapter into a full manuscript and rewrote that first chapter at least six times. At least...
My aptly titled wonderland dress
And last year I plunged into a third competition. This was a public vote competition and I didn't think I would final but that was okay, I knew that the editors would call in any other chapters they liked. That was my goal. 
But they didn't contact me. 
I felt like I'd failed. Three competitions zilch interest. But I did have three finished manuscripts two of which I rather liked (let's never mention the third).
And so I looked at other ways to get them in front of the editors. I used one to ones, fast tracks and the opportunities RNA membership gave me. And eventually I had two full manuscripts in front of editors - and they both sold.
The second manuscript is a much revised version of both my NV11 and SYTYCW entry. It didn't final, and that's okay. I worked extra hard to make sure that the final manuscript I submitted was as good as it could be. 
So if you're refreshing your inbox right now, good luck! And remember, competitions are a brilliant way to get your name and writing out there, to get some feedback, to make some contacts. Competitions are great, I love them. But they're not the only way to reach your goal.

Monday, 7 October 2013

A month of firsts

It's been six and a half weeks since I got 'The Call'. In some ways it feels like a lot longer...

At first there was the giddy excitement and the copious amount of celebrating. There was a lot of celebrating. Wine, much of it fizzy. Good times.

There were the first real revisions on a book I knew somebody wanted. I received them in the middle of a shopping centre on an exhausting back-to-school trip with my daughter. They looked overwhelming and my mind went blank; where to start? But once I calmed down and thought it through, once I began writing, it all made sense. The suggestions all strengthened the book, strengthened the conflict, ramped up the emotions. I sat at my desk one night, fuelled by gin and finally, three rewrites later, got to the crux of my hero.

I may have said 'I love you' out loud. I blame the gin.

I went to the M&B author party which was terrifying and brilliant in equal measure and I loved it.

Then there was a flurry of non-writing stuff. I wanted to concentrate on starting book 3 properly but it all needed to be done. A q&a for the author website meant I finally had to decide just who, dead or alive,  I would invite to a fictional dinner party. I had to find photos (eek), change my twitter name, set up an author page on Facebook, buy a domain name and a host for a website which took me two days and some tears. I haven't been able to face actually populating the website yet!

A contract to sign.

RNA membership to turn from New Writer to Full.

My aptly titled wonderland dress
A sudden obsession with Game of Thrones. Three violent, debauched and pure character driven episodes a night for two weeks in which I should have been preparing book 3, only surely watching such great storytelling is research. Surely?

And last week my first AA's and edits for Minty all in one day.

The AA's were incredibly surreal. I have read the book on screen more times than I care to remember. I have read it printed out. I have read it on Kindle (I always, always do several read throughs on kindle, it's a great way to test pace and find sentences that read oddly in a book setting), but to read it set out as a real, proper book was the moment it all became real. Summer Fling has graduated from a file on my netbook (and Dropbox. Always back up people.) to a book that has been edited, copy edited and type set.

And it has a new name, just like its proud creator.

The Return of Mrs Jones will be published by Mills & Book Cherish/Harlequin Romance in April 2014.

I hope you like it.